Am I Weird After i Say That How To Make Love To A Black Woman Is Useless?

Am I Weird After i Say That How To Make Love To A Black Woman Is Useless?

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You're a powerful, black girl, is that assertion a compliment, a burden, a fact or a myth? Welcome to the present. The book is "Fierce Angels: A powerful Black Woman in American Life and Tradition." It was written by Professor Sheri Parks. There's a new book out there that explores the origins of the thought and its psychological and emotional price. She joins us from WYPR in Baltimore.

Professor SHERI PARKS (Author, "Fierce Angels: A robust Black Lady in American Life and Tradition"): Hi.

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KEYES: So, former Essence editor Susan Taylor said your book opens a window onto female black energy, each the reverence for it and what it is wrought. Is that what you had been setting out to do?

Prof. PARKS: Properly, sure, I was attempting to explain something that was going on in my very own life and one thing that I noticed in different women's lives that we were residing, however not understanding. So, sure, that is exactly what I was making an attempt to do.

KEYES: Talk to me about who you see as strong, black girls today. Our first lady Michelle Obama, Oprah Winfrey, who else?

Prof. PARKS: Properly, there are definitely these, however there are lots of women in on a regular basis life. And, actually, I'm even more involved about them, these ladies who grow up with the expectation that they will take care of everybody, and individuals who count on them to take care of everyone. I'm suggesting that black women already have an organically grown, traditional model of feminine energy that they use to move by way of the world, however that the expectations which are put on them due to that are sometimes exhausting.

KEYES: Let's hearken to a clip of Oprah from the movie "The Color Purple," the place she's taking part in the wonderfully strong character Sofia.

(Soundbite of film, "The Coloration Purple")

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Ms. OPRAH WINFREY (Host, Actor): (As Sofia) All my life I had to fight. Woman, youngster ain't protected in a family of males, however I ain't never thought I needed to battle in my own home. I had to combat my uncles. I needed to struggle my brothers. However I will kill him useless before I let him beat me. I loves Harpo. God knows I do. I needed to struggle my daddy.

KEYES: I ponder, Sheri, is it that Oprah or the eternally empathic talk host Oprah that embodies the strong, black girl or is it each?

Prof. PARKS: Nicely, each. And there's a quote within the ebook from Coretta Scott King who says that black girl are strong as a result of they've needed to be strong. Certainly in "The Coloration Purple," Alice Walker is making an attempt to say one thing about black women being created by the circumstances of their lives. And certainly that is there.

However, also, I don't think that you may explain the sheer power that Oprah has in American life with out referring back to this image. However she's additionally, I think, learned to look after herself, which is one thing that many black ladies usually are not giving themselves permission to do.

KEYES: I'm involved that you just said that, because I remember Octavia Butler's sci-fi novel "Kindred," the place she travels back in time and finally ends up having to assist her white slave-proudly owning ancestor and injures herself actually badly in the method. How a lot is this friendly savior thought affecting girls?

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Prof. PARKS: Well, one of many issues that - I am never saying that black girls are the only strong women, I am saying that black women are the women in this tradition who're usually celebrated for being sturdy. And that i imply soiled in all the ways that we can think of that. And so, historically there are situations where the 2 pictures are performed towards one another, actually during slavery, the weak, fragile, white Victorian preferrred of a white girl was only made attainable because there were black ladies round to do the soiled work.

I additionally say that that picture is something that has maybe been preserved the strong woman has been preserved by black ladies, when all ladies sooner or later of their lives need to be robust. And it's something that we train in our women and one thing that we develop up expecting to must do and that other people count on it of us. Possibly black girls have many more circumstances by which they must be strong.

KEYES: However hasn't that picture nearly been co-opted by the people who paint black girls as angry? Is that who we are? They're, like, there's that African-American lady strolling down the road, or extra accurately, strutting down the street carrying her sword and shield.

Prof. PARKS: No, that is not who we're. However, I mean, you used the word co-opted, and I think what's vital to grasp is that this function is almost always co-opted ultimately. And when you consider the photographs, we often see that strong, black lady within the function of the lieutenant, where she's working for the benefit of another person. Actually in slavery that robust, black girl was literally co-opted for using the slave grasp.

Black girls often feel that due to that, that that is a job that we should run away from. And I am saying, when you've got a job in a culture that has such a strong and historic presence in a tradition, maybe we should flip round and look at it, which is what I'm making an attempt to do in "Fierce Angels," is to have girls have a look at this image and see for themselves what they wish to do with it.

KEYES: I need to talk a little bit about Hattie McDaniel, the mammy from the film "Gone with the Wind." You are saying that the perception of her is because individuals don't understand who she is. She's been misunderstood. And as an alternative of being this subservient individual, she was really infusing her roles, and that role specifically with some challenge and pushback.

(Soundbite of "Gone with the Wind")

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Ms. HATTIE MCDANIEL (Actor): (As Mammy) I have instructed you and informed you which you can always inform a lady by the best way that she eat in front of parents like a fowl. And i ain't aiming for you to go to Mr. John Wilkes's and eat like a subject hand and gobble like a hog.

Ms. VIVIEN LEIGH: (As Scarlett) Fiddle-dee-dee. Ashley Wilkes informed me he likes to see a girl with a wholesome appetite.

Ms. MCDANIEL: What gentlemen says and what they thinks is 2 different things. And that i ain't observed Mr. Ashley asking for to marry you.

Prof. PARKS: If you happen to truly go and watch the movie, she does an enormous amount of fussing within the film. She would say, aren't white people foolish to assume that these women who work for them love them that a lot? And one of the issues she did was to mock the picture of the mammy. She had a racially uplifting theater career earlier than she went to Hollywood. What Hattie was doing at that second was being subversive. She's a bad maid.

And she thought she might carry that image into Hollywood and of course discovered that Hollywood wasn't so much fascinated by that. And so we really do misread and that i say that always African-Americans have given away their foremothers to this picture of the mammy. But she continued to attempt to infuse subversiveness into her roles. And in the event you go back and take a look at what girls who're enjoying those mammies, ladies who had been actually residing the role as mammies, they have been typically working very hard to make use of what power they'd for the advantage of their families and their communities.

KEYES: You are listening to tell ME Extra from NPR News.

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We're talking in regards to the image of the strong, black lady with Professor Sheri Parks. She's author of "Fierce Angels: A robust Black Girl in American Life and Tradition."

Sheri, I needed to speak to you concerning the sacred, dark feminine this historic archetype that you have been talking about. Actually, this image has been alongside all the best way again to how many hundreds of years?

Prof. PARKS: It is back to the primary recorded creation stories the place and I'm very concerned with the truth that particle physics says essentially the identical thing, that earlier than there was anything else, there was darkness. However of course the historical mythology said, after which she gave birth and the world begins. And so this may be very... I found cases of the sacred, dark feminine on each continent.

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KEYES: Really? As a result of I've seen mother-pushed cultures, however I believe I've seen that principally, like, among the many Vikings and that kind of thing. Was it truly it's Africa, it is all over the place?

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Prof. PARKS: It is all over the place. I imply, they are in all places for those who begin looking for them. What you noticed is that the Celts actually held onto it overtly longer than any European folks. There are darkish Madonnas all over South and Central America. However there are black Madonnas all over Europe. There are the Native American corn goddesses.

KEYES: It is interesting once more that you say that. We had been speaking earlier about the picture of the sturdy, black girl being hijacked. If there's all this reverence for this particular person, how can that be? And between the campaign to paint the primary lady, Michelle Obama, as an offended, black girl, there is a movie known as "Diary of a Drained Black Man," I mean, in the event you read a few of the media on the market, it seems like nobody values an African-American lady's strength or her coronary heart.

Prof. PARKS: Well, the flipside of reverence may be worry. All people had to do was attach the label to some pretty non-angry habits. Certainly Michelle Obama was painted as an indignant, black lady and notice, with very little proof. And that's why so a lot of the preferred images are along with her underneath control. However the label alone had a lot currency and concern hooked up to it. That idea that this robust, black lady is going to be out of management is vital to understand.

And that concept that the strong, black girl out of management becomes this out of management, offended image is a very harmful one for black women because when individuals fear somebody, they'll try to hurt them. And, two, that if they don't seem to be in control of her, she is going to get out of management. And I think many black women have discovered that usually they have been damage by individuals who, one, assume that she can't be hurt. That she's too robust to be harm.

KEYES: Sheri Parks, author of "Fierce Angels: The Robust Black Lady in American Life and Tradition," joined us from our member station WYPR in Baltimore. Thank you a lot for an fascinating conversation.

Prof. PARKS: Thank you.